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	<title>In The Poetry &#187; Don Paterson</title>
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		<title>The Lover</title>
		<link>http://inthepoetry.com/don-paterson/the-lover/</link>
		<comments>http://inthepoetry.com/don-paterson/the-lover/#comments</comments>
		<pubDate>Thu, 16 Sep 2010 15:11:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Don Paterson]]></category>

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		<description><![CDATA[
The Lover  (after Propertius)



Poor mortals, with your horoscopes and blood-tests -
what hope is there for you? Even if the plane
lands you safely, why should you not return
to your home in flames or ruins, your wife absconded,
the children blind and dying in their cots?
Even sitting quiet in a locked room
the perils are infinite and unforeseeable.
Only [...]]]></description>
			<content:encoded><![CDATA[<p>
The Lover  (after Propertius)
</p>
<p></p>
<p>
Poor mortals, with your horoscopes and blood-tests -<br />
what hope is there for you? Even if the plane<br />
lands you safely, why should you not return<br />
to your home in flames or ruins, your wife absconded,<br />
the children blind and dying in their cots?<br />
Even sitting quiet in a locked room<br />
the perils are infinite and unforeseeable.<br />
Only the lover walks upon the earth<br />
careless of what the fates prepare for him:<br />
so you step out at the lights, almost as if<br />
you half-know that today you are the special one.<br />
The woman in the windshield lifting away<br />
her frozen cry, a white mask on a stick,<br />
reveals herself as grey-eyed Atropos;<br />
the sun leaves like a rocket; the sky goes out;<br />
the road floods and widens; on the distant kerb<br />
the lost souls groan and mew like sad trombones;<br />
the ambulance glides up with its black sail -<br />
when somewhere in the other world, she fills<br />
your name full of her breath again, and at once<br />
you float to your feet: the dark rose on your shirt<br />
folds itself away, and you slip back<br />
into the crowd, who, being merely human,<br />
must remember nothing of this incident.<br />
Just one flea-ridden dog chained to the railings,<br />
who might be Cerberus, or patient Argos,<br />
looks on, knowing the great law you have flouted.
</p>
<p></p>
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		</item>
		<item>
		<title>Luing</title>
		<link>http://inthepoetry.com/don-paterson/luing/</link>
		<comments>http://inthepoetry.com/don-paterson/luing/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 08:12:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Don Paterson]]></category>

		<guid isPermaLink="false">http://inthepoetry.com/don-paterson/luing</guid>
		<description><![CDATA[
Most people have heard of the island of St. Kilda which is the outermost of the outer Hebrides because they think of it as a place of asylum &#8211; as such a lonely place. But for that reason everybody goes there so it isn&#8217;t. If you&#8217;re looking for asylum in the Hebrides you should go [...]]]></description>
			<content:encoded><![CDATA[<p>
Most people have heard of the island of St. Kilda which is the outermost of the outer Hebrides because they think of it as a place of asylum &#8211; as such a lonely place. But for that reason everybody goes there so it isn&#8217;t. If you&#8217;re looking for asylum in the Hebrides you should go to the innermost of the inner Hebrides because no one else bothers. And this was a poem written for a friend who said she would never fall in love again and this island struck me as a good place to go if you were ever looking to revivify that susceptibility.
</p>
<p></p>
<p>
Luing
</p>
<p></p>
<p>
When the day comes, as the day surely must,<br />
when it is asked of you, and you refuse<br />
to take that lover&#8217;s wound again, that cup<br />
of emptiness that is our one completion,
</p>
<p></p>
<p>
I&#8217;d say go here, maybe, to our unsung<br />
innermost isle: Kilda&#8217;s antithesis,<br />
yet still with its own tiny stubborn anthem,<br />
its yellow milkwort and its stunted kye.
</p>
<p></p>
<p>
Leaving the motherland by a two-car raft,<br />
the littlest of the fleet, you cross the minch<br />
to find yourself, if anything, now deeper<br />
in her arms than ever; sharing her breath,
</p>
<p></p>
<p>
watching the red vans sliding silently<br />
between her hills. In such intimate exile,<br />
who&#8217;d believe the burn behind the house<br />
the straitened ocean written on the map?
</p>
<p></p>
<p>
Here, beside the fordable Atlantic,<br />
reborn into a secret candidacy,<br />
the fontanelles reopen one by one<br />
in the palms, then the breastbone and the brow,
</p>
<p></p>
<p>
aching at the shearwater&#8217;s wail, the rowan<br />
that falls beyond all seasons. One morning<br />
you hover on the threshold, knowing for certain<br />
the first touch of the light will finish you.
</p>
<p></p>
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		<item>
		<title>The White Lie</title>
		<link>http://inthepoetry.com/don-paterson/the-white-lie/</link>
		<comments>http://inthepoetry.com/don-paterson/the-white-lie/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 12:10:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Don Paterson]]></category>

		<guid isPermaLink="false">http://inthepoetry.com/don-paterson/the-white-lie</guid>
		<description><![CDATA[
The White Lie



I have never opened a book in my life,
made love to a woman, picked up a knife,
taken a drink, caught the first train
or walked beyond the last house in the lane.



Nor could I put a name to my own face.
Everything we know to be the case
draws its signal colour off the sight
till what [...]]]></description>
			<content:encoded><![CDATA[<p>
The White Lie
</p>
<p></p>
<p>
I have never opened a book in my life,<br />
made love to a woman, picked up a knife,<br />
taken a drink, caught the first train<br />
or walked beyond the last house in the lane.
</p>
<p></p>
<p>
Nor could I put a name to my own face.<br />
Everything we know to be the case<br />
draws its signal colour off the sight<br />
till what falls into that intellectual night
</p>
<p></p>
<p>
we tunnel into this view or another<br />
falls as we have fallen. <i>Blessed Mother,</i><br />
<i>when I stand between the sunlit and the sun</i><br /> <br />
<i>make me glass</i>: and one night I looked down
</p>
<p></p>
<p>
to find the girl look up at me and through<br />
me with such a radiant wonder, you<br />
could not read it as a compliment<br />
and so seek to return it. In the event
</p>
<p></p>
<p>
I let us both down, failing to display<br />
more than a halfhearted opacity.<br />
She turned her face from me, and the light stalled<br /> <br />
between us like a sheet, a door, a wall.
</p>
<p></p>
<p>
But consider this: that when we leave the room,<br />
the chair, the bookend or the picture-frame<br />
we had frozen by desire or spent desire<br />
is reconsumed in its estranging fire
</p>
<p></p>
<p>
such that, if we slipped back by a road<br />
too long asleep to feel our human tread<br />
we would not recognise a thing by name,<br />
but think ourselves in Akhenaten&#8217;s tomb;
</p>
<p></p>
<p>
then, as things ourselves, we would have learnt<br />
we are the source, not the conducting element.<br />
Imagine your shadow burning off the page<br />
as the dear world and the dead word disengage -
</p>
<p></p>
<p>
in our detachment, we would surely offer<br />
such offence to that Love that will suffer<br />
no wholly isolated soul within<br />
its sphere, it would blast straight through our skin
</p>
<p></p>
<p>
just as the day would flush out the rogue spark<br />
it found still holding to its private dark.<br />
But like our ever-present, all-wise god<br />
incapable of movement or of thought,
</p>
<p></p>
<p>
no one at one with all the universe<br />
can touch one thing; in such supreme divorce,<br />
what earthly use are we to our lost brother<br />
when we must stay partly lost to find each other?
</p>
<p></p>
<p>
Only by this &#8211; this shrewd obliquity<br />
of speech, the broken word and the white lie,<br />
do we check ourselves, as we might halt the sun<br />
one degree from the meridian
</p>
<p></p>
<p>
then wedge it by the thickness of the book<br />
that everything might keep the blackedged look<br />
of things, and that there might be time enough<br />
to die in, dark to read by, distance to love.
</p>
<p></p>
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