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	<title>In The Poetry &#187; Alan Brownjohn</title>
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	<description>United States Poetry Archive</description>
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		<title>Incident on a Holiday</title>
		<link>http://inthepoetry.com/alan-brownjohn/incident-on-a-holiday/</link>
		<comments>http://inthepoetry.com/alan-brownjohn/incident-on-a-holiday/#comments</comments>
		<pubDate>Sun, 03 Oct 2010 05:32:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Alan Brownjohn]]></category>

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		<description><![CDATA[
&#8216;Incident on a Holiday&#8217; features the words forming the title of my 2001 book, The Cat Without E-Mail &#8211; the point made here is that human beings might be controllable by technology but animals like the cat and natural phenomena like fire are more elusive.



Incident on a Holiday



The cat between the tables is not worth [...]]]></description>
			<content:encoded><![CDATA[<p>
&#8216;Incident on a Holiday&#8217; features the words forming the title of my 2001 book, <i>The Cat Without E-Mail</i> &#8211; the point made here is that human beings might be controllable by technology but animals like the cat and natural phenomena like fire are more elusive.
</p>
<p></p>
<p>
Incident on a Holiday
</p>
<p></p>
<p>
The cat between the tables is not worth attention,<br />
But the most of <i>us</i> is closed in plastic now,<br />
Magnetic so we stick to their powerful fingers.<br />
I have to swipe to be a citizen.<br />
I have to stand still while they target me.
</p>
<p></p>
<p>
Though one night on a coast of this vast and<br />
Increasing inattention, a disco selling<br />
Illusions to themselves for a sizable profit<br />
Goes up in flames in the small hours<br />
- A blaze of interest on the coast opposite.
</p>
<p></p>
<p>
In this hinterland, however, no one explains it,<br />
Not even the backstreet barber, the big<br />
Conspiracy theorist, who avoids my eyes<br />
In his pocked mirror; or the extrovert licensee<br />
Working faster but very quietly, mopping his bar;
</p>
<p></p>
<p>
Not even the check-out girl taking one by one<br />
The grapefruit rolled down in a ritual<br />
To break the boredom of her dreadful day<br />
And start her chatting &#8211; she doesn&#8217;t as much as smile<br />
When I ask her, &#8216;Who would trash a lovely disco?&#8217;
</p>
<p></p>
<p>
- And claim the insurance on all the pretty dreams?<br />
What sort of destructive decency? There was<br />
No cc-tv watching, no bar code beeped<br />
When some unpoliced fingers scratched the match into flame.<br />
And now there is a gap in the esplanade&#8230;
</p>
<p></p>
<p>
Though otherwise things go on pretty much the same:<br />
The barber thanks me and tells me to Take Care,<br />
The licensee puts my drink down &#8211; &#8216;There you go!&#8217; -<br />
The waters eject our pollution onto our shores,<br />
And the cat, without e-mail, susses the customers
</p>
<p></p>
<p>
In the Sea Caf</p>
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		<item>
		<title>From his Childhood</title>
		<link>http://inthepoetry.com/alan-brownjohn/from-his-childhood/</link>
		<comments>http://inthepoetry.com/alan-brownjohn/from-his-childhood/#comments</comments>
		<pubDate>Mon, 29 Jun 2009 01:13:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Alan Brownjohn]]></category>

		<guid isPermaLink="false">http://inthepoetry.com/alan-brownjohn/from-his-childhood</guid>
		<description><![CDATA[
&#8216;From his Childhood&#8217; is a fantasy about a severe governess or nanny remembered from somebody&#8217;s early years. A woman full of moral maxims and stern instructions and her influence is destructive though the storyteller has eventually grown out of her. She is not my own nanny or governess &#8211; I had no such thing &#8211; [...]]]></description>
			<content:encoded><![CDATA[<p>
&#8216;From his Childhood&#8217; is a fantasy about a severe governess or nanny remembered from somebody&#8217;s early years. A woman full of moral maxims and stern instructions and her influence is destructive though the storyteller has eventually grown out of her. She is not my own nanny or governess &#8211; I had no such thing &#8211; this woman is, if you like, a Thatcherite figure.
</p>
<p></p>
<p>
From his Childhood
</p>
<p></p>
<p>
Rain, said Nanny, Rain is to test our courage,<br />
Dirt is to test our cleanliness,<br />
Hunger our patience,<br />
And night is to test our fear of darkness.<br />
But rain is to test our courage.
</p>
<p></p>
<p>
That was because it rained all the time very hard<br />
where we lived as children,<br />
In the house with the nineteen rooms of forbidden books<br />
(To test how we could conquer the thirst to read)<br />
And a few permitted books in the sitting rooms,<br />
But Nanny in a book-lined room we might never enter,<br />
In a turret above the lawn where the croquet hoops<br />
Were feet deep in water for very much of the time.
</p>
<p></p>
<p>
But Courage, said Nanny, wellingtons on,<br />
Backs up, chins up, and best foot forward<br />
In a long line, holding tightly on to each other<br />
- Out!
</p>
<p></p>
<p>
So the small but courageous band of us<br />
Paddled hand-in-hand onwards,<br />
Nanny first, me second,<br />
Then the third and fourth, diminishing in size<br />
To the very smallest who came infallibly last,<br />
Head just above water.
</p>
<p></p>
<p>
And as we sadly struggled, the small cold hand<br />
Of my youngest brother<br />
Slipped out of the grasp of the one next above him in age.<br />
And when that next one tired, her hand<br />
Released the fingers of the sibling senior to her,<br />
And the line fell gradually apart,<br />
Leaving me<br />
Waving frantically after Nanny, who was far ahead<br />
And had almost disappeared.
</p>
<p></p>
<p>
But <i>Courage!</i>
</p>
<p></p>
<p>
The call of Nanny rang distantly over<br />
The widening waters in the dark,<br />
And returned in echoes from the other shore.<br />
The waterfowl answered in imitation and unison<br />
To comfort each other
</p>
<p></p>
<p>
And Nanny&#8217;s cry merged into theirs,<br />
Growing fainter and fainter in the rain until<br />
It became at last an everyday sound you hear<br />
And think little about for very much of the time.
</p>
<p></p>
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		<item>
		<title>The Automatic Days &#8211; an extract</title>
		<link>http://inthepoetry.com/alan-brownjohn/the-automatic-days-an-extract/</link>
		<comments>http://inthepoetry.com/alan-brownjohn/the-automatic-days-an-extract/#comments</comments>
		<pubDate>Sun, 17 May 2009 20:34:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Alan Brownjohn]]></category>

		<guid isPermaLink="false">http://inthepoetry.com/alan-brownjohn/the-automatic-days-an-extract</guid>
		<description><![CDATA[
I wrote a longish sequence of poems called &#8216;The Automatic Days&#8217; about life in a department store, the day-to-day living stuff, and I will read this narrative extract from &#8216;The Automatic Days&#8217;.



From &#8216;The Automatic Days&#8217;



The music stops in mid-bar on the PA,
So all the customers realise there was music
And wonder what comes now. &#8216;Will Mrs [...]]]></description>
			<content:encoded><![CDATA[<p>
I wrote a longish sequence of poems called &#8216;The Automatic Days&#8217; about life in a department store, the day-to-day living stuff, and I will read this narrative extract from &#8216;The Automatic Days&#8217;.
</p>
<p></p>
<p>
From &#8216;The Automatic Days&#8217;
</p>
<p></p>
<p>
The music stops in mid-bar on the PA,<br />
So all the customers realise there was music<br />
And wonder what comes now. &#8216;Will Mrs Gurnard<br />
Come to the Manager&#8217;s ofice, will Mrs Gurnard<br />
Come to the Manager&#8217;s office. Thank you.&#8217; Click,<br />
And the music starts again. Therefore she swivels<br />
Round to tell Tamsin to stay with the cashdesk,<br />
And strides off smiling down a glade of coats<br />
To do the thing for which she has been thanked.<br />
The customers themselves feel thanked for suffering<br />
A remission of the music which they hardly<br />
Knew they were hearing. Tomorrow is the Sale.
</p>
<p></p>
<p>
She smiles at the girl on the cosmetics,<br />
Penned in among the scents and paints and creams,<br />
Who returns her a tanned and haggard look<br />
Expensively reproaching anyone<br />
Who passes, and will not be beautiful.<br />
She smiles through the cafeteria swing doors,<br />
And she smiles at Trevor with his agreements,<br />
Imprisoned by some thrity capering screens.<br />
At any second, somewhere in the world,<br />
You can push flat a square button and get the sound<br />
Of an audience screaming with happiness.<br />
She pushes the bell for the Manager&#8217;s happy smile.
</p>
<p></p>
<p>
Next day she wears a square blue disc which says:<br />
<indent/>MARY GURNARD<br />
<indent/>ASSISTANT MANAGERESS<br />
A few inquisitive customers contrive<br />
To read it, then look up and fit the name<br />
To the face, or <i>vice versa</i>. More customers<br />
Interrupt what she&#8217;s doing with enquires;<br />
It must be the disc, or something in the way<br />
She stands, or gives instructions to younger people,<br />
Or just seems older&#8230;Beverley&#8217;s little disc<br />
Says only BEVERLEY, Tamsin&#8217;s TAMSIN.<br />
Mrs Gurnard now walks faster everywhere,<br />
Effect of being promoted to be old.
</p>
<p></p>
<p>
From now on she is one of eleven &#8216;A.M.s&#8217;,<br />
Men and women; and nearly all the time<br />
The shop is in focus for her. But customers<br />
Are a <i>problem</i>, or watching them is; one of<br />
Her big responsibilities the moment<br />
She enters. Being a customer herself<br />
Does not feel natural any more, you go<br />
To other shops, and watch; or wonder who<br />
Is customer and who Security.<br />
Some of the staff are Sucurity as well.<br />
Beverley has a dream that, except for her,<br />
All customers and staff are Security.
</p>
<p></p>
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